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A Companion to Latin American literature and culture / edited by Sara Castro-Klaren.

Contributor(s): Material type: TextTextLanguage: English Series: Blackwell companions to literature and culture | Blackwell companions to literature and culturePublication details: Hoboken, NJ : John Wiley & Sons, c2022.Edition: Second editionDescription: xvii, 750 pages : illustrations (chiefly color) 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781119692539 (hardback)
Subject(s): LOC classification:
  • PQ7081 A1C73 2022
Online resources:
Contents:
CODA. Companion 2022 / Sara Castro-Klaren. -- Second Thoughts on the Historical Foundations of Modernity/Coloniality and the Advent of Decolonial Thinking / Walter D Mignolo. -- Coloniality. Mapping the Geopolitics of Contact / Gustavo Verdesio. -- Writing Violence / José Rabasa. -- The Popol Wuj / Carlos M López. -- The Colegio Imperial de Santa Cruz de Tlatelolco and Its Aftermath / Rocío Cortés. -- Memory and "Writing" in the Andes / Sara Castro-Klaren. -- Writing the Andes / Sara Castro-Klaren. -- Court Culture, Ritual, Satire, and Music in Colonial Brazil and Spanish America / Lúcia Helena Costigan. -- Violence in the Land of the Muisca / Álvaro Félix Bolaños. -- The Splendor of Baroque Visual Arts / Lisa DeLeonardis. -- Colonial Religiosity / Kathryn Joy McKnight. -- Transformations. Visual Representations of Tupac Amaru II / Peter Elmore. -- The Caribbean in the Age of Enlightenment, 1788 - 1848 / Franklin W Knight. -- The Philosopher-Traveler / Leila Gómez. -- Slave Culture in Brazil, 1500s-1888 / Hendrik Kraay. -- The Haitian Revolution / Sibylle Fischer. -- The Emergence of National Communities in New Imperial Coordinates. The Gaucho and and the Gauchesca / Abril Trigo. -- Andrés Bello, Domingo Faustino Sarmiento, Manuel González Prada, and Teresa de la Parra / Nicolas Sbumway. -- Reading National Subjects / Juan Poblete. -- The Muisca beyond Melancholy / Luis Fernando Restrepo. -- Uncertain Modernities. Shifting Hegemonies / Fernando Degiovanni. -- Machado de Assis / Todd S Garth. -- The Mexican Revolution and the Plastic Arts / Horacio Legras. -- Anthropology, Pedagogy, and the Various Modulations of Indigenismo / Javier Sanjinés C. -- Cultural Theory and the Avant-Gardes / Fernando J Rosenberg. -- Latin American Poetry / Stephen M Hart. -- Literature between the Wars / Adriana J Bergero, Todd S Garth. -- Narratives and Deep Histories / Adriana Michèle Campos Johnson. -- Alterity and Absence / Elizabeth A Marchant. -- Feminist Insurrections / Adriana J Bergero, Elizabeth A Marchant. -- Caribbean Philosophy / Edouard Glissant. -- Global and Local Perspectives. Uncertain Modernities / Elizabeth Monasterios Pérez. -- Testimonio, Subalternity, and Narrative Authority / John Beverley. -- Affectivity beyond "Bare Life" / Hermann Herlinghaus..-- Photography in Latin America / Jorge Coronado. -- Rock and Pop across Cultural Boundaries / Gustavo Verdesio. -- Film, Indigenous Video, and the Lettered City's Visual Economy Revisited / Freya Schiwy. -- Postmodern Theory and Cultural Criticism in Spanish America and Brazil / Ileana Rodríguez. -- Uncharted Waters. Plants, People, and the Ecological Imagination in Latin America / Lesley Wylie. -- Atmospheres of the Marvelous / Jerónimo Arellano. -- The Indigenous "Contact Film" and Its Afterlives in Latin American Cinema / Gustavo Furtado. -- Femicide and Feminist Performance / Debra A Castillo -- Screen Time / Matthew Bush. -- From Human Rights to Rights beyond the Human / Fernando J Rosenberg. -- Imagining Amazonia Cartographically 1 / Amanda M Smith. -- The Affective Aesthetics of Fictional Objects 1 / Juan G Ramos. -- Wars over Water / Orlando Betancor.
Summary: "Codas are by definition short interventions. Codas constitute an attempt to reach a satisfactory, though perhaps always temporary, closing to the musical piece unfolding. The Blackwell Companion to Latin American Literature and Culture did, in the first edition as it does in this second edition, represent, a kind of musical composition where pleats fold and unfold into inner and forward creases, tucks and crevices that seem never ending. Conceived as such, a coda at this moment in history acquires the hue of a paradox, in that it both closes and opens the discussion on Latin American culture writ large. Great change has occurred in Latin America in the last quarter century. Besides a turn to the left that never took place, people in Brazil and Spanish America along with many Indigenous communities living within the borders of various nation-states have experienced and continue to undergo the transformation brought about by the digital forces in play today. The forces of globalization, of which the digital age is only a part, have exacerbated during the 2020 pandemic as people have been forced to communicate and interact more intensely in the internet, making use of every platform available for multiple purposes of exchange. Together, the pandemic and the digital transformation have repositioned subjects, fractured borders, reconfigured modes of production and realigned personal, social and political relations. In this context the paradoxical valance of a coda, as both summary ending but also opening onto uncharted waters, seems justified as a brief introduction to the new and enlightening chapters that comprise the volume in this second edition"-- Provided by publisher
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Holdings
Item type Current library Collection Call number Materials specified URL Status Notes Date due Barcode
Books Books Ladislao N. Diwa Memorial Library Reserve Section Non-fiction RUS PQ7081 A1C73 2022 (Browse shelf(Opens below)) Link to resource Room use only 81180 00084507

Includes bibliographical references and index.

CODA. Companion 2022 / Sara Castro-Klaren. -- Second Thoughts on the Historical Foundations of Modernity/Coloniality and the Advent of Decolonial Thinking / Walter D Mignolo. -- Coloniality. Mapping the Geopolitics of Contact / Gustavo Verdesio. -- Writing Violence / José Rabasa. -- The Popol Wuj / Carlos M López. -- The Colegio Imperial de Santa Cruz de Tlatelolco and Its Aftermath / Rocío Cortés. -- Memory and "Writing" in the Andes / Sara Castro-Klaren. -- Writing the Andes / Sara Castro-Klaren. -- Court Culture, Ritual, Satire, and Music in Colonial Brazil and Spanish America / Lúcia Helena Costigan. -- Violence in the Land of the Muisca / Álvaro Félix Bolaños. -- The Splendor of Baroque Visual Arts / Lisa DeLeonardis. -- Colonial Religiosity / Kathryn Joy McKnight. -- Transformations. Visual Representations of Tupac Amaru II / Peter Elmore. -- The Caribbean in the Age of Enlightenment, 1788 - 1848 / Franklin W Knight. -- The Philosopher-Traveler / Leila Gómez. -- Slave Culture in Brazil, 1500s-1888 / Hendrik Kraay. -- The Haitian Revolution / Sibylle Fischer. -- The Emergence of National Communities in New Imperial Coordinates. The Gaucho and and the Gauchesca / Abril Trigo. -- Andrés Bello, Domingo Faustino Sarmiento, Manuel González Prada, and Teresa de la Parra / Nicolas Sbumway. -- Reading National Subjects / Juan Poblete. -- The Muisca beyond Melancholy / Luis Fernando Restrepo. -- Uncertain Modernities. Shifting Hegemonies / Fernando Degiovanni. -- Machado de Assis / Todd S Garth. -- The Mexican Revolution and the Plastic Arts / Horacio Legras. -- Anthropology, Pedagogy, and the Various Modulations of Indigenismo / Javier Sanjinés C. -- Cultural Theory and the Avant-Gardes / Fernando J Rosenberg. -- Latin American Poetry / Stephen M Hart. -- Literature between the Wars / Adriana J Bergero, Todd S Garth. -- Narratives and Deep Histories / Adriana Michèle Campos Johnson. -- Alterity and Absence / Elizabeth A Marchant. -- Feminist Insurrections / Adriana J Bergero, Elizabeth A Marchant. -- Caribbean Philosophy / Edouard Glissant. -- Global and Local Perspectives. Uncertain Modernities / Elizabeth Monasterios Pérez. -- Testimonio, Subalternity, and Narrative Authority / John Beverley. -- Affectivity beyond "Bare Life" / Hermann Herlinghaus..-- Photography in Latin America / Jorge Coronado. -- Rock and Pop across Cultural Boundaries / Gustavo Verdesio. -- Film, Indigenous Video, and the Lettered City's Visual Economy Revisited / Freya Schiwy. -- Postmodern Theory and Cultural Criticism in Spanish America and Brazil / Ileana Rodríguez. -- Uncharted Waters. Plants, People, and the Ecological Imagination in Latin America / Lesley Wylie. -- Atmospheres of the Marvelous / Jerónimo Arellano. -- The Indigenous "Contact Film" and Its Afterlives in Latin American Cinema / Gustavo Furtado. -- Femicide and Feminist Performance / Debra A Castillo -- Screen Time / Matthew Bush. -- From Human Rights to Rights beyond the Human / Fernando J Rosenberg. -- Imagining Amazonia Cartographically 1 / Amanda M Smith. -- The Affective Aesthetics of Fictional Objects 1 / Juan G Ramos. -- Wars over Water / Orlando Betancor.

"Codas are by definition short interventions. Codas constitute an attempt to reach a satisfactory, though perhaps always temporary, closing to the musical piece unfolding. The Blackwell Companion to Latin American Literature and Culture did, in the first edition as it does in this second edition, represent, a kind of musical composition where pleats fold and unfold into inner and forward creases, tucks and crevices that seem never ending. Conceived as such, a coda at this moment in history acquires the hue of a paradox, in that it both closes and opens the discussion on Latin American culture writ large. Great change has occurred in Latin America in the last quarter century. Besides a turn to the left that never took place, people in Brazil and Spanish America along with many Indigenous communities living within the borders of various nation-states have experienced and continue to undergo the transformation brought about by the digital forces in play today. The forces of globalization, of which the digital age is only a part, have exacerbated during the 2020 pandemic as people have been forced to communicate and interact more intensely in the internet, making use of every platform available for multiple purposes of exchange. Together, the pandemic and the digital transformation have repositioned subjects, fractured borders, reconfigured modes of production and realigned personal, social and political relations. In this context the paradoxical valance of a coda, as both summary ending but also opening onto uncharted waters, seems justified as a brief introduction to the new and enlightening chapters that comprise the volume in this second edition"-- Provided by publisher

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